6th and 7th May at 8 p.m. The performance takes place in two parts with a break: Katja Legin: Oh, how very ordinary Bojana Robinson: The sound of night The content of the Oh, How Very Ordinary delves in personal stories / fragments / autobiographical motifs of the authors and the short stories by Katherine Mansfield. I , ...

6th and 7th May at 8 p.m. The performance takes place in two parts with a break: Katja Legin: Oh, how very ordinary Bojana Robinson: The sound of night The content of the Oh, How Very Ordinary delves in personal stories / fragments / autobiographical motifs of the authors and the short stories by Katherine Mansfield. I , ...

The book Hoppla, wir leben. The Lost Gesture of Self Resignation is the third in a series of books/printed editions accompanying the German Cycle performances by the Beton Ltd. collective. The first one, formally designed in the form of a photo book, accompanied Ich kann nicht anders and used photos to provide a parall , ...

The second performance of the German cycle Program of the German Cycle When creating performances, the members of the Beton Ltd. collective always draw on their own experiences, feelings, positions. Groβe Erwartungen | Great Expectations are intertwined thematically with the questioning of the positions of articulation , ...

The second performance of the German cycle Program of the German Cycle When creating performances, the members of the Beton Ltd. collective always draw on their own experiences, feelings, positions. Groβe Erwartungen | Great Expectations are intertwined thematically with the questioning of the positions of articulation , ...

Final Act of the German Cycle Performation The performation Hoppla, wir leben. The Lost Gesture of Self Resignation is the final act of the Beton Ltd.’s German Cycle, which complements the performances Ich kann nicht anders (2016) and Große Erwartungen I Great Expectations (2018), and the music-performance hybrid proje , ...

The Intimate Concert The music-performance event Mahlzeit was born from the desire to move away from the light, the desire to leave the stage to a greater extent to the collaborators of the Beton Ltd. collective, who were regularly in charge of the soundscape of the performances. Mahlzeit is based on the music of the D , ...

Final Act of the German Cycle Performation The performation Hoppla, wir leben. The Lost Gesture of Self Resignation is the final act of the Beton Ltd.’s German Cycle, which complements the performances Ich kann nicht anders (2016) and Große Erwartungen I Great Expectations (2018), and the music-performance hybrid proje , ...

The first performance of the German cycle Program of the German Cycle Ich kann nicht anders places the audience in voyeuristic immediate proximity of a devastated scenography that speaks of the apocalyptic, temporariness, provisional housing. However, it is not a world of complete retreat, but rather a hiding place thr , ...

Final Act of the German Cycle Performation The performation Hoppla, wir leben. The Lost Gesture of Self Resignation is the final act of the Beton Ltd.’s German Cycle, which complements the performances Ich kann nicht anders (2016) and Große Erwartungen I Great Expectations (2018), and the music-performance hybrid proje , ...

The first performance of the German cycle Program of the German Cycle Ich kann nicht anders places the audience in voyeuristic immediate proximity of a devastated scenography that speaks of the apocalyptic, temporariness, provisional housing. However, it is not a world of complete retreat, but rather a hiding place thr , ...

* All places have been filled! Snježana Premuš’s projects cultivate different formats of work, which enable the visitor/viewer in various ways to access an experiential and more insightful penetration into art and work. The author conceived the dance performance/installation Time in Sight as a horizontal, generat , ...

* All places have been filled! Snježana Premuš’s projects cultivate different formats of work, which enable the visitor/viewer in various ways to access an experiential and more insightful penetration into art and work. The author conceived the dance performance/installation Time in Sight as a horizontal, generat , ...

Sensory – documentary installation at 5 pm Reveals to the visitor the hidden materials of the artistic process – open until May 29 until 7 p.m. TIME IN SIGHT The performance presents the operation of a group that draws on movement as a process that begins deep in the body, beyond anticipated body codes and , ...

* All places have been filled! Snježana Premuš’s projects cultivate different formats of work, which enable the visitor/viewer in various ways to access an experiential and more insightful penetration into art and work. The author conceived the dance performance/installation Time in Sight as a horizontal, generat , ...

Open rehearsal – The study group that joined Snježana Premuš in various parts of the Time in the View from 2020 process will open its doors to the general public on Sunday after 4 days of intensive workshops, where you can see the work on the repertoire. We also get an insight into working on the same score / etu , ...

“Good water” is the third performance in a “What is coming?” series, in which the author explores movement as the basis of our knowledge of the world and of establishing relationships, interconnectedness and connection with the environment of which we are part. The processes of division, differentiation, transformation , ...