* The performance is not suitable for the audience under the age of 18. September 3 – premiere – SOLD OUT September 4 – reprise followed by the Audience Council discussion – SOLD OUT September 5 – reprise, with an option of audio description (the audio description starts already at 5.30 p. , ...

* The performance is not suitable for the audience under the age of 18. September 3 – premiere – SOLD OUT September 4 – reprise followed by the Audience Council discussion – SOLD OUT September 5 – reprise, with an option of audio description (the audio description starts already at 5.30 p. , ...

* The performance is not suitable for the audience under the age of 18. September 3 – premiere – SOLD OUT September 4 – reprise followed by the Audience Council discussion – SOLD OUT September 5 – reprise, with an option of audio description (the audio description starts already at 5.30 p. , ...

“If we prepare for war, we will get war.” Something is tightening. We all feel it. And yet we keep pulling, each in our own direction, for as long as we still can. Something is tightening. In our stomachs. In our city. In our language. Words like security, defence, preparedness, and resilience are becoming increasingly , ...

“If we prepare for war, we will get war.” Something is tightening. We all feel it. And yet we keep pulling, each in our own direction, for as long as we still can. Something is tightening. In our stomachs. In our city. In our language. Words like security, defence, preparedness, and resilience are becoming increasingly , ...

“If we prepare for war, we will get war.” Something is tightening. We all feel it. And yet we keep pulling, each in our own direction, for as long as we still can. Something is tightening. In our stomachs. In our city. In our language. Words like security, defence, preparedness, and resilience are becoming increasingly , ...

Through rhythm, repetition, sound and physical action, The Wood Paths transforms simple materials into a poetic and absurd reflection on humanity’s endless desire to shape, organise and control the world. Wood is cut, stacked, balanced, broken, restored and rearranged in an increasingly complex theatrical ritual that m , ...

Somewhere on a playful island rises Mount St. Gumboot: an unusual and whimsical landscape inhabited by eccentric creatures, wandering ideas, falling stars and boundless imagination. Inspired by graphic poetry, nonsense literature, surrealism and visual art, this non-narrative performance invites the youngest audience i , ...

Somewhere on a playful island rises Mount St. Gumboot: an unusual and whimsical landscape inhabited by eccentric creatures, wandering ideas, falling stars and boundless imagination. Inspired by graphic poetry, nonsense literature, surrealism and visual art, this non-narrative performance invites the youngest audience i , ...