Per-formation The per-formation Hoppla, wir leben. The Lost Gesture of Self Resignation is the final act of the Beton Ltd.’s German Cycle, which complements the performances Ich kann nicht anders (2016) and Große Erwartungen | Great Expectations (2018), and the music-performance hybrid project Mahlzeit (2019). In terms of content, per-formation addresses the question of what’s going on in society so that no one uses the gesture of resignation anymore, as well as the question of the performer’s resignation in relation to the audience, a resignation from the stablished production of theatre art while radically reconsidering one's own model of collectivity, extended autonomy and non-hierarchy. In a subversive position of living while not really living, Beton Ltd. refuses to accept any currently established or acquired theatrical form (certain forms take the edge off certain contents). This time, we embraced reduction as the basic artistic principle that led to the creation of a per-formation, as we define the work ourselves. In order to avoid misinterpretations, Hoppla, wir leben is not about abandoned ore future scenography, but rather a form that is closer to installation, while building it theatrical tension through personal interpretations of members of the resigning collective. Thus, the 29-hour uninterrupted…